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The concert cycle ´A la luna de Barranda´ returns on Saturdays in August with free prior registration and reduced capacity to comply with prevention measures (23/07/2020)

| The exterior auditorium of the Museum of Ethnic Music of Barranda-Blanco Fadol Collection will host the performances of diverse genres such as Folk, Western Swing, Jazz or Blues, among others | The poster for this fourteenth edition includes Juan José Robles, Arturo Abellán, 'Ronnie las Dunas y el Combo de Arena y Sara Zamora The concert series 'A la luna de Barranda' will return on Saturdays in August to its appointment with the Museum of Ethnic Music-Blanco Fadol Collection, organized by the City Council of Caravaca de la Cruz, through its Department of Culture in collaboration with Tourism, within the municipal program 'It's summer in Caravaca'. The main novelty of this fourteenth edition is marked by strict compliance with the security and prevention measures of the COVID-19 applicable to cultural shows, so that the capacity of the external auditorium will be reduced to the safety distance between seats and will be precise make prior registration in the museum itself until the available places are completed (968 73 84 91).

The entrance will be free. On Saturdays 1, 8, 15 and 22 August, starting at 10 p.m., there will be outdoor performances of genres such as Folk, Western Swing, Jazz Dixieland and Blues, among others, as announced in the presentation of the cycle, which had the participation of the mayor of Culture, Juan Manuel de León, as well as the person in charge of Tourism, José Carlos Gómez, accompanied by the pedáneo mayor, Patrocinio Sánchez, and the guide of this museum space, José Sánchez. All participating artists are pure talent, with local, regional and national origins.

Among them, Juan José Robles, whose interpretations to the sound of instruments such as mandolin, lute, bandurria, leaflets and guitar, together with his personal way of understanding traditional music, will awaken the senses before this current reference in folk music in southeast peninsular rope, August 1. You will also be able to enjoy on August 8 the performance of Arturo Abellán, a prodigy at the piano, after learning by ear at just 4 years old the melody of 'La Marcha Turca' by Mozart, debuted in the world of chamber music to the age of 13 years.

He has made numerous auditions both abroad and in Spain and, at his young age, he has already been the recipient of more than ten awards in prestigious competitions at national and international level. On August 15, the performances changed record until they reached the world of western swing and jazz dixieland with the help of 'Ronnie las Dunas y el Combo de Arena', a Murcian formation led by the caravaqueño Romu López.

Together they have managed to put their stories to music with one foot in the Levantine imagination and the other in the melodies of the American tradition. The last of the performances of this cycle will be on August 22 and will be in charge of the promise of the Jazz of the Region Sara Zamora.

Since 2009 he dazzles in his concerts, singing jazz, blues and soul, although he also includes influences such as rock, pop and rythm and blues.

Her voice, influenced by black music, sensual and full of classical nuances, is given to her due to her influence from the main traditional jazz vocalists such as Sarah Vaughan and Peggy Lee. Museum of Ethnic Music-Blanco Fadol de Barranda Collection The Barranda Ethnic Music Museum, which is part of the Network of Museums in the Region of Murcia, offers visitors a varied sample of the musical culture of the different continents of the world.

This collection is the result of long research trips by Carlos Blanco Fadol.

Since 1970, he toured jungles, mountains and deserts, contacting ethnic groups that preserve the increasingly scarce traditional instruments, as well as music, stories and legends of the same, encompassing cultures from 145 countries. The instruments stand out for their exoticism, authenticity and spectacularity, presenting sizes as diverse as the small barley-stem clarinet from Belarus, up to the gigantic Chinese drum, which reaches almost 4 meters in height, including its structure.

Most of the museum collections in the collection are no longer used in their places of origin, being displaced by new musical trends, or reduced to small groups of musicians.

Source: Ayuntamiento de Caravaca de la Cruz

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